The sketch above was submitted to War Prisoners’ Aid for consideration of being printed as one of the annual Christmas cards produced by the organization and distributed to PoWs in Canada. The artist, Rudi Boege, was a civilian internee at Camp 70 (Fredericton, NB) and, as the spokesman described, one of the most gifted artists in the camp.
The design shows PoWs gathered around a bonfire and the campleader explained it had special meaning to the internees at Camp 70 for every Christmas eve, the internees lit a bonfire on the parade ground.
To my knowledge, the card was never produced. The War Prisoners’ Aid instead settled on a card depicting Camp 133 (Lethbridge, AB).
Merry Christmas to all my readers and best wishes in the new year!
The annual German Remembrance Day service will be held Sunday, November 19, 2017. This service takes place at Woodland Cemetery in Kitchener, Ontario (119 Arlington Boulevard) at 2:30 p.m. For more information, please click here.
While picture postcards of German prisoners of war in Canada are not particularly uncommon, examples from certain camps can prove more difficult to find (for more on PoW picture postcards, see my earlier post here). In my experience, images from Camp 100 at Neys, Ontario are among those harder to find. I was therefore quite happy to obtain this image recently. Depicting ten prisoners and their dog on a sandy beach with Lake Superior in the background, this postcard was sent by Enemy Merchant Seaman (EMS) Karl Hannover to his family in Germany in 1942.
Karl Hannover arrived in Canada in late June or early July 1940 and was likely first interned At Camp R in Red Rock, Ontario. However, he was soon transferred to Camp Q at Monteith, Ontario and, on November 25, 1941, he was transferred to Camp 100 (Neys) where he would remain for two years.
Located on the shore of Lake Superior, Camp 100 at Neys, Ontario, was arguably one of the most scenic locations for an internment camp. One of two purpose-built internment camps in Northern Ontario (the other being Camp X, later Camp 101, at Angler), Camp W (later renamed Camp 100) opened in January 1941 and initially held about 450 German officers and other ranks sent to Canada from the United Kingdom. By the end of the year, these men were transferred to other camps and replaced by about 650 civilian internees and enemy merchant seamen (EMS). The camp temporarily closed from December 1943 to August 1944 and re-opened as a “Black” camp – a higher-security camp primarily intended for pro-Nazis and troublemakers. The Neys Internment Camp finally closed at the end of April 1946.
An artist, Hannover submitted a design for consideration as the 1943 Christmas cards printed and distributed by the War Prisoners’ Aid of the YMCA but it does not appear his design was chose for, in November 1943, he and the rest of the EMS at Neys were relocated to Camp 23 (Monteith). In March 1946, Hannover was transferred to the United Kingdom, likely returning to Germany the following year.
Camp 100 was abandoned and dismantled in the late 1940s and the site was eventually re-forested. In 1964, the former camp location and the surrounding location became part of Neys Provincial Park. Few traces of the camp remain today although one can still find pieces of scrap metal scattered throughout the site and you can still make out the outlines of some of the building foundations. Park staff also run regular tours of the site throughout the summer months.
Today (June 26) marks National Canoe Day so what better way to celebrate than a post on PoW-made canoes!
In May 1943, the Canadian government approved the use of prisoner of war labour to help boost the struggling lumber and agricultural industries. From 1943 to 1946, thousands of German PoWs, Enemy Merchant Seamen (EMS), and civilian internees were employed in almost 300 labour projects and farm hostels across the country. The opportunity to work came with increased freedom as remote bush camps had no barbed wire fences or guard towers to contain PoWs. Many of these PoWs turned to their natural surroundings for recreation and hiking, swimming, and boating soon became some of the more popular ways to spend free time.
The camp in Manitoba’s Riding Mountain National Park, known today as the Whitewater PoW camp, opened in October 1943 with the arrival of 440 PoWs from Camp 132 (Medicine Hat). Located on the shore of Whitewater Lake, the PoWs spent their winter working, hiking around the camp, skating on the frozen lake, or reading, but when the lake thawed in the spring, enterprising PoWs turned their attention to building canoes. Apparently the idea for building a canoe came from a Canadian magazine circulating through camp that featured a birch-bark canoe on the cover.
Lacking the skills to build such an intricate craft, the PoWs instead turned to the large spruce trees scattered around the camp. Although the Park warden had told them to save the spruce trees, some were not spared the axe. With these huge logs, groups of PoWs started carving out dugout canoes. Measuring between twelve and sixteen feet in length, the PoWs built one and two-man versions, launching them in the creek that ran along the camp’s southern boundary. The guards and camp commandant permitted PoWs to paddle on Whitewater Lake so long as they stayed away from the shoreline and returned before roll call. Eventually a small fleet of these canoes lined the creek shoreline but not ever PoW took up canoeing for a hobby. One former PoW recalled the canoes were not particularly stable and after falling in the water a number of times, he gave his away to one of his comrades.
Riding Mountain was not the only camp to have canoes. With logging camps scattered across Northern, Ontario, and many situated on lakes or rivers, dugout canoes and more advanced boats appeared throughout the region. But relatively unfamiliar with canoeing and boating on open lakes, a few PoWs drowned and orders from Ottawa restricted canoeing at all camps. At Riding Mountain, the commandant restricted access to those only under the direct supervision of a guard but was eventually prohibited.
When the PoWs left these camps, their canoes remained. Some of them were taken by locals for their own use or as water troughs but most sat where they had been left. Storms and rising water levels carried many away while nature claimed those left behind.
Some of the canoes made at Riding Mountain were still floating in the creek thirty years after the last PoWs left the camp. Two were pulled from the creek and taken to the Fort Dauphin Museum for preservation where they remain to this day. But if you look closely along the creek today, you can still find the remains of one canoe near the creek and others scattered in the reeds. However, every year I revisit the site, they get harder and harder to find.
Camp 133 near Ozada, Alberta seems to have been among the most popular locations for Prisoners of War in Canada to paint during the Second World War. Situated on the Mortley Flats, the camp offered stunning views of the nearby Rocky Mountains and, despite living in tents during a wet summer and cold fall, was fondly remembered by former PoWs for its scenic location. Following one of my last posts about a painting of the Oazada, I’m here today showing another, albeit quite different, perspective of the camp. In contrast to the snow-covered scene painted by Siebein, this version shows a much warmer and greener depiction of Camp 133.
“K.G. Lager 133” (Kreigsgefangenen Lager 133) prominently features the barbed wire fences, floodlights, and guard towers that surrounded the camp. Twenty such guard towers surrounded the camp, with guards constantly keeping a watchful eye on the thousands of prisoners interned within. The single strand of barbed wire was a warning wire which PoWs were instructed not to cross unless they wished to risk being fired upon. The mountains once again dominate the background and I believe this is a view of the northwest area of the camp, quite possibly showing the same mountains seen in this imagery captured by Google Streetview. The reverse shows the painting was a gift from PoW August Pass to one of his barrack mates.
The artist appears to have signed his initials, “P.E.” but I have not been able to identify him. Going through the lists of PoWs interned at Ozada, I was able to come up with ten men with the initials P.E. Unfortunately, none of their pay records indicate them selling any artwork (though this does not rule any of them out) and as PoWs signed their pay records with their last name, I was not able to match the initials. However, I’ve included the names below in the hope that perhaps someone will be able to identify the artist.
- Peter Edenhofer
- Paul Eichstäder
- Paul Eggers
- Paul Enders
- Phillip Enders
- Paul Enke
- Peter Enkirch
- Paul Ermrich
- Paul Essner
- Paul Ewald
Hopefully I will be able to identify the artist but in the mean time, if you have any information about this artist or have paintings you would be willing to share, please get in touch!
For more paintings from Camp 133 (Ozada), click here.
Wishing a Happy New Year to all my readers!
In 1945, PoW Willi Nötel gave this Happy New Year card to his fellow PoW and friend Erich Neumann in Camp 132 at Medicine Hat, Alberta. Both the double-sided card and envelope are hand-made, presumably by Nötel, and note he even replicated the postal cancellation on the upper-right of the envelope.